Art and Industry: the Carrie Deer Project

Wednesday, 06 August 2014 03:58 PM Written by 

 

carrie deer - rb - high

Ron Baraff is a Pittsburgh native, who like many Pittsburghers left the region for a number of years but discovered that there is no place like home. Mr. Baraff has been the Director of Museums and Archives for the Rivers of Steel National Heritage Area since 1998. He is currently launching Save the Carrie Deer with a community event on August 16 to save the Carrie Deer, a large-scale sculpture of a deer head by the Industrial Arts Co-op, located on the site of the defunct Carrie Furnaces in Rankin. Jen Saffron of the Greater Pittsburgh Arts Council interviewed him briefly on his views on the role of the arts in preserving and reinterpreting our region's industrial heritage.

1. What exactly are the Carrie Furnaces and why is it an important place for artists? What is the Carrie Deer and what does it mean, to you?

The Carrie Furnaces are National Historic Landmarks - it is imperative that we preserve them to tell the story not just of the historical significance of this region, but of the site’s impact, nationally and internationally. The Carrie Furnaces represent the story of America's 20th century industrial power and its impact on the world. To that end, the Carrie Furnaces now can serve as an economic development tool and first day attraction for the region, bringing much needed tourism dollars into the surrounding former steel communities that so desperately need them.

The Carrie Furnaces present a prime opportunity to showcase the rich industrial legacy of the region, as well as show the impact of post-industrialism on the region. This is where the Carrie Deer really comes into play – this large scale sculpture is the poster child of post-industrial rustbelt America, answering the questions: what happens to these sites when the work goes away? How do the communities act and interact with these abandoned locations and what sort of meaning can be derived from these interactions? In the case of the Deer, its presence on the site of the Carrie Furnaces, within the architecture of a former bustling industrial generator, allows us to show what happens to these former places of work, and to learn from and use these interactions to open new and exciting doors for visitors to experience the site through the arts.

The Carrie Deer encourages the exploration of the site’s aesthetics and environmental impact (built and natural), because this sculpture is there and acting as the gatekeeper. The Deer and other artists and photographers interacting with the site allows us to continue the process of art-centric redevelopment at what was formerly a place of work, a place of production - a place that became something else entirely in its post-industrial life - a formerly derelict urban space that is now positioned to host numerous ventures that are seemingly removed as “art actions”, yet at the same time intrinsically related to the site's storied history.

2. With Pittsburgh working to shed its former identity as a steel town, how does preserving and showcasing a former mill site work for or against that?

For many years there was a movement to distance the region from its "gritty" past, but I think we have moved beyond that now - it is our history, our geography, our people, and our culture that grew up in industrial Pittsburgh, that has survived, and is thriving. It sets us apart and establishes our unique place within the American lexicon and certainly within the Rust Belt. This region is now experiencing a revitalization through tourism, innovation, and expanding population, because of who we are and where we came from in the not so distant past. I don't feel that Pittsburgh should or even is shedding its former identity as a steel town - it is what makes Pittsburgh and the surrounding region what it is and colors all of us with a profound sense of place, home, and a connection to our collective past.

Look at the gathering movement towards Urban Homesteading and Exploration of the "Rust Belt Chic" - communities such as Braddock, Lawrenceville and Homestead are being revitalized and energized. This is because of our industrial history and not in spite of it. Against this backdrop stand the Carrie Furnaces, a place where we can explore the past, and navigate the present and future of this region through historical tours and discourse; art installations and exploration; new and emerging technologies through installation of Solar Power and the introduction of environmental programming and landscape restoration – all at the site. All of these factors together define who we are and shape who we can be as a region.  

Ron Baraff

Ron Baraff, Rivers of Steel 

3. What other kinds of artistic programs or art has Rivers of Steel been involved in? What has been the response? What kind of artistic activity takes place at Carrie Furnaces, now?

At the Carrie Furnaces site we have hosted a number of different projects and programs that explore the aesthetics of the region (and life). We have hosted Alloy Pittsburgh where 15 emerging artists did site responsive installations; the Jazz Furnace, a day long interactive improvisational dance event conceived of and presented by the Pillow Project. We conduct Urban Art Tours that explore the graffiti (and the Deer) on the site and have also provided legal wall space for artists from all over the world. Photo Safaris regularly take place on site for photographers to come and explore the site, and over the years we’ve hosted numerous filmmakers, photographers, music videos, documentarians, and conducted sculpture workshops, iron-castings, and much more. Throughout its existence, Rivers of Steel has worked with traditional artists, assisting with festivals and events throughout the region, grant funding and exhibitions, foodways, and tourism. Preservation of the region's culture history and character is paramount to our mission, and artistic programs are as much a part of who we are and what we can be as our industrial history.

Throughout its existence, Rivers of Steel has been involved in artistic programming; working with traditional artists, assisting with festivals and events throughout the region, grant funding and exhibitions, a Sunday community market, foodways, art installations and tourism. We are really just scratching the surface of what we can do at and with the Carrie Furnaces - stayed tuned there is much, much more coming!

 

 

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